PAPA’S BAG - PROJECT GREENLIGHT SEASON 3

As one of the “top ten directors” for the horror season of Project Greenlight, we were given three pages of ambiguous dialogue and told to use two, in any order, and make a five-minute short without any additional dialogue or music. PAPA’S BAG, about a girl visiting her dying papa, is my submission.  It had a short turnaround and could never have made it in time without everyone involved.  5min - 35mm.

SIERRA ABEL as kayla  JACK RILEY as papa

sound mixers  CHRIS PETRIELLO & MARCUS DUNSTAN

production designer RYAN PATTERSON

director of photography  BENGT JONSSON

executive in charge of production  PATRICK DEMPSEY

editor KEVIN MERCIER   sound design MARC MEYER

producer JOSHUA LEBLANC writer director TIM CLARK

NIGHTFALL

After a midnight ambush, three World War II soldiers hole up in an abandoned barn behind enemy lines.  But when one wounded soldier begins to suspect the others of having ulterior motives, he must confront his true enemy.  Premiered at the Dances With Films Festival in Santa Monica, CA.  Film Threat calls it “gripping beauty”. Recently featured on the Dark Matter Anthology hosted by George Noory.  We shot this in an old potato barn in Walpole, NH with a full camera package graciously donated through the Panavision New Filmmaker Program and a film award from Kodak.  25m - 16mm.

ROBERT STEVENS   LINDEN DALECKI   JOE CALIGUIRE

director of photography  MARTIN ALBERT  art director  STEVE MIKULKA

first assistant director  SARAH FRAUNFELDER 

co-producer  MEG ANNE SCHINDLER  producer  MICHAEL CAHOON

story  TREVOR CHAMBERLAIN & TIM CLARK

written produced directed by TIM CLARK

DORITOS - SPEC

It pays to watch where you’re going.  In this martial arts spec commercial for Doritos, two pedestrians test each other’s patience.  :30 - HD.

PEPPA “PEI PEI” JUAN    LUCAS SULLIVAN

camera MICHAEL SCOTT  STEPHEN ROTH

produced by PEPPA “PEI PEI” JUAN & LUCAS SULLIVAN

produced directed by TIM CLARK

AWAKE TO YOU - PATIENT 113

A music video for band Patient 113.  Shot on an old VHS-C camera and edited using multiple VHS generations.  VIEW

directed by TIM CLARK & ANDREW REED

APOCALYPSE WOW

Jaycee, Judas and Mary Magdalene leave Heaven and head for Earth where they live in a “Hollywood Hills adjacent” apartment complex and help bridge the cultural and spiritual divide.  Socioeconomic hilarity ensues.  5min - HD.

MARJO-RIKKA MAKELA  KONSTANTINE ANTHONY  TIM CLARK

and JACK RILEY as Dad

camera  MAGEN CALLAGHAN  MICHAEL HINKLEY

KEITH MAHONEY

theme  CLARK EDWARDS

editing & sound KIP WALKER 

created by TIM CLARK and SHELBY STOCKTON

BATTLE OF GETTYSBURG

Every year thousands of people gather in Pennsylvania around the fourth of July to witness a reenactment of one of the most famous battles of the civil war.  Shot on a trusty CP-16mm camera, Gettysurg is a small tribute to all involved.

DAWN

Returning home after the death of his mother, Peter discovers a diner in the middle of nowhere that leads him to the truth. 

MICHAEL CAHOON  SKYLER CASEY

written by TREVOR CHAMBERLAIN & TIM CLARK

directed by TIM CLARK

SILENT BUT DEADLY

Revenge is mime.  A young couple discovers that it’s not nice to interrupt a street mime’s performance.  Shot years ago on an old bolex we speculated was from World War II, I’m fond of this short mostly for the PVC pipe crane the crew built.  Shot in Manchester, NH, we ate well courtesy of Foodee’s Pizza.

AMANDA NOYES    BRIAN HOLLINGSWORTH    CHRIS PETRIELLO

and KEVIN NEWHALL as The Mime

camera & editing by JAY PETRIE

directed by TIM CLARK

Tim Clark

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contact: tim @ timclarkfilms.com  323.638.4669

copyright 2012

DWEN

In 1985 a ten year old boy in upstate New York created an epic 14-issue comic book about the hero of an American Military force.

The name of this fearless leader: DWEN.

narrated by JIM SEVIN

producers QUINN OLSON  MEGHAN CLEARY

created and produced by TIM CLARK

GRIFFIN

When I was asked by Moviola Hollywood to direct a test shoot with their Sony F3, I decided to put it through a variety of situations - from bright sunlight to dark streets.  We had very little time to prepare, and less time to shoot in uncontrollable situations. 

VIEW